Ever the economist relying on empirical data, John Maynard Keynes recorded all of his sexual activity— alone, together, asleep—from his Cambridge days onward. There, he had been an Apostle with Lytton Strachey and Leonard Woolf and moved readily into the Bloomsbury circle in London. Two years later he met his great love Duncan Grant with whom he had a long relationship and with whom he remained close friends even after they stopped having sex. Thanks to Keynes’s diligent record keeping, historians know that by the time things ended with Grant, he had slept with twenty-five men and possibly one woman. In 1921 he fell in love with a star of Diaghilev’s Ballets Russes, Lydia Lopokova, and married her in 1925, by which time both Grant and Strachey maintained households with women while continuing to have sex with men. They never had children. Seven years after his marriage, his mother Florence Ada Keynes, who had been among the first women to graduate from Cambridge, became mayor of that city. Keynes’ father, a noted economist himself and longtime lecturer at Cambridge, outlived his son by three years.
Novelist Ivy Compton-Burnett was one of seven children. Her beloved father died suddenly in 1901 when she was sixteen; three years later a favorite brother Guy died of pneumonia; twelve years later her other favorite brother Noel was killed in the battle of the Somme; and the following year, 1917, her two youngest sisters, aged eighteen and twenty-two, locked the door of their bedroom on Christmas Day and killed themselves by swallowing veronal. The year after that Compton-Burnett caught the Spanish Influenza and nearly died herself; and the year after that she and her partner Margaret Jourdain began living together, a happy relationship that lasted thirty-two years, until Jourdain’s death in 1951. Compton-Burnett was knighted in 1967, by which time she had published nineteen of her twenty novels. From the start, her oblique style rendered almost exclusively in dialog had divided critics. Leonard Woolf rejected her manuscript for the Hogarth Press saying “She can’t even write!” while the critic for the New Statesman said, “It is astonishing, amazing. It is like nothing else in the world. It is a work of genius." She thought her two best novels were A House and Its Head and Manservant and Maidservant. Her two novels that include homosexuality are both set in single-sex schools staffed by closeted lesbians (More Women than Men, 1933) or gay men (Two Worlds and Their Ways, 1949). As ever, her method is to inform the reader indirectly, so nothing is any more overt here than in the rest of her work.
Ah, Spain, the beautiful contradiction. Even after the end of Franco’s fascist, anti-gay rule, the family of Spain’s greatest poet and playwright, Federico Garcia Lorca, suppressed the publication of his sonnets and then successfully fought to have them renamed Sonnets rather than Sonnets of Dark Love as Garcia Lorca called them. The scholar Angel Sahuquillo has pointed out that for over fifty years anyone attempting to study homosexuality in the Garcia Lorca's work was accused of being "irresponsible, ignoble, envious, and vile." Of course, Garcia Lorca himself was conflicted. Passionately in love with Salvador Dali, who rejected him, and a sculptor named Emilio Aladrén Perojo, Lorca wrote “Ode to Walt Whitman” epitomizing "pure" same-sex love while denigrating effeminate gay men with common slurs. Garcia Lorca’s unfinished play The Destruction of Sodom remains lost but his biographer Ian Gibson says the play’s theme was to be "the pleasures of the homosexual confraternity, who have made such a contribution to world culture." A month after Civil War broke out in 1936, Garcia Lorca returned to his birthplace, Granada, despite its being an ultra-conservative stronghold, and was promptly arrested with his brother-in-law, a socialist mayor. Within three days, without formal charges or a trial, the militia executed him and threw his body in an unmarked grave somewhere between Alfacar and Viznar. Unquestionably, people wanted him dead for many reasons, yet the comment that was most widely reported and survives to this day was one of his executioners bragging, “I fired two bullets into his ass for being a queer.”
Sonnet of the Sweet Complaint
Don’t let me ever lose the wonder
of your eyes like a statue’s, or the stress
placed on my cheek at night.
by the solitary rose of your breath.
I’m afraid of being on this shore
a branch-less trunk: this deepest feeling
of having no bloom, or pulp, or clay
for the worm of my suffering.
If you’re my hidden treasure,
if you’re my cross, and my moist pain,
if I’m a dog, of yours, my master,
never let me lose what I have gained,
and decorate the branches of your stream
with the leaves of my enraptured autumn.
As she approached her thirtieth birthday, Suze Orman, the daughter of Russian Jewish immigrants on Chicago’s south side, was a waitress in a bakery in Berkeley, California. Then she trained as an Account Executive at Merrill Lynch, became a Vice President at Prudential Bache, and in 1987 founded her own business, The Suze Orman Financial Group. Now she hosts The Suze Orman Show on CNBC and Suze Orman’s Financial Freedom on QVC and has won two daytime Emmy awards. She writes a monthly money column in O, Oprah’s magazine, and has written seven books including The 9 Steps to Financial Freedom, The Road to Wealth, and Women and Money. She ends her show each week with the catch phrase, “People first, then money, then things.” She came out in a New York Times interview earlier this year, noting the unfair tax burdens that same-sex couples shoulder. She does not invest in the stock market. Her partner of seven years, Kathy Travis, is a co-producer of The Suze Orman Show.