Celebrating "Langston Hughes, poet," as we must, neglects the bulk of his creative work: eleven plays, the screenplay of Way Down South (released the same year as Gone with the Wind), novels (starting with Not Without Laughter), forty-seven short stories (which often paid his rent), a series of books showcasing famous black Americans' accomplishments, six children's books, bold political writings, and two volumes of autobiography that as much as anything focus on Langston Hughes, traveler. His first memoir covers Harlem and Paris (after his scattered Midwestern childhood with visits to his father, an attorney who left the family to live in Mexico); and his second, I Wonder as I Wander, recounts his journeys in Russia, Turkmenistan, China, Japan, Cuba, Haiti, and Spain during their civil war. Of course his genius most often reveals itself in his poetry, which emphasizes a purity and simplicity like Whitman's, but unlike Whitman his directness of language does not extend to openness about his sexuality. Hughes's most cited homoerotic poems such as "Young Sailor" and "Joy", safeguarded with women or "she," are more cautious than the Calamus cycle. Below, listen to him read his response to Whitman's "I Hear America Singing." He died at 65 in 1967 and his ashes are interred beneath the lobby of the Schomburg Center for Research in Black Culture on 135th St. Long degayed, Hughes' homosexuality is the centerpiece of Isaac Julien's film on historical black gay experience amid entrenched homophobia, Looking for Langston.
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