After distinguished service as an intelligence officer in the Queen's Royal Regiment during World War II, Dirk Bogarde tried acting and became a huge star. He was Britain's top box office draw of the 1950s. So it was big news in 1961 when he chose to play a closeted, married gay barrister in Victim, especially considering he was closeted himself. (He and his manager Anthony Forwood lived together for decades.) Two years later, Bogarde played the creepy closety valet in The Servant, and in 1971 he played the tragic gay lead of Death in Venice. Today, the courage of these choices can hardly be imagined. Even in 1971, two years after Midnight Cowboy, Warner Brothers was so terrified of Death in Venice being charged with obscenity in the U.S. they wanted to drop the movie altogether. They changed their minds after Queen Elizabeth and Princess Anne attended the London premiere; it won an Oscar. Yet offscreen in his own life, Bogarde lacked the same bravery. After the anguish of watching his partner suffer a prolonged battle with Parkinson's and liver cancer, he became a vocal proponent of euthanasia. That was 1988, coincidentally the same year that John Gielgud came out quietly and Ian McKellan came out blazingly, as a founder of Stonewall. Bogarde never did. He retired in 1990 and lived till 1999, by which time he had written something like eight volumes of autobiography, none of which tells the full truth of his life. Indeed, he destroyed much of his personal archives. Over the years he supported dozens of charities and spoke out on behalf of animal health, Tibetan refugees, unwed mothers, illegitimate children, and against McDonald's on King's Road and VAT on books, but never for gay equality. Throughout the 90s he persisted in arguing for the right to die, but not the right to love. Victim.
Comments