Born July 24: Gus van Sant
In the early 80s, Gus van Sant worked in a New York advertising firm and saved $25,000 to make his first feature, the ground-breaking, darkly shot Mala Noche, about a young man’s crush on a Mexican hustler and the other Mexican hustler who sort of has a crush on him. (Best moment: When the second hustler is learning to drive on a deserted rode, he crashes the guy’s car directly without swerving or turning the wheel into a telephone pole. As they walk back to town the guy yells at him, “You drive like you f---!”) Van Sant followed that with Drugstore Cowboy, reviving Matt Dillon’s career with a role as an addict struggling to get clean, and My Own Private Idaho, more hustlers, this time white, reciting passages of Henry IV, but salvaged by being River Phoenix and Keanu Reeves. Next came the bizarre Even Cowgirls Get the Blues with Uma Thurman and k.d. lang, followed by the terrific To Die For, Nicole Kidman’s first great role as an ambitious small-town newscaster who enlists two wayward teens to help kill her husband. Wanting a mainstream hit and an Oscar, van Sant then made Good Will Hunting but at least he had the grace to parody himself counting his cash from that in the first Silent Bob movie. He used his new status in Hollywood to film a shot-for-shot remake of Psycho, followed by a retread of Good Will Hunting called Finding Forrester, only this time the student was an athlete / writer and black. He’s made four smaller, more indie movies since then, usually infatuated with beautiful mopers and depressed youth: The improvised Gerry (Matt Damon & Casey Affleck lost in a desert), Elephant (thinly disguised Columbine), Last Days (thinly disguised Kurt Cobain), and the recent Paranoid Park (teen skateboarder accidentally kills security guard).
Although he has mainly ignored gay stories since his third film, van Sant did make the sweet Marais episode in Paris, je t’aime (shown in full here) and, as you've read many times, he's just finished filming one of this year's Oscar contenders, Milk. Sean Penn stars as Harvey Milk, with a supporting cast that includes James Franco as his lover and Josh Brolin as his killer, along with Diego Luna, Emile Hirsch, and Stephen Spinella. Tom Ammiano plays himself, which either means there's a present day sequence or the make-up department had to work hard, as the movie takes place thirty years ago. While I'm obviously thrilled by the idea of a high profile, big budget feature about gay history, I can't help but notice that the first major gay story since Brokeback Mountain again takes place in the past and ends with the more out man getting murdered. Name a Hollywood queer drama with a happy ending. It's either gay = tragedy (Wilde), or the narrative is degayed (Capote). Also, for a story set in the free and easy San Francisco of the 1970s, Milk's cast list is strangely devoid of women. All in all, of the two competing Harvey Milk projects, maybe the anointed one should have been Bryan Singer's The Mayor of Castro Street. Milk opens November 26 in limited release and widens December 5.
Van Sant has also shot fifteen music videos, among them: David Bowie's Fame '90, Red Hot Chili Peppers' Under the Bridge, Tracy Chapman's Bang Bang Bang, Chris Isaak's San Francisco Days, Elton John's The Last Song, STP's Creep, and Hanson's Weird.























