Born January 14: Yukio Mishima, Cecil Beaton

Brilliant writer and fascist militant nut, Yukio Mishima published forty novels, many collections of stories and essays, and was thrice nominated for the Nobel Prize before, at 45, launching a deranged coup attempt against the Japanese government with four other men immediately after which he and another committed ritual suicide. Mishima wrote his first book in his early twenties and became a celebrity at 24 with his bestselling second novel, the autobiographical gay conformity story Confessions of a Mask. While that book chronicled a solitary experience, bigger shocks awaited in his novel Forbidden Colors exploring Tokyo's vast gay subculture. In dreaming of an all male world it also gave voice to Mishima's misogyny and gave rise to his dedication to a hyper-masculine ideal of beauty, starting with himself. He detested intellectuals' emphasis on the mind, instead espousing a life of physicality, muscle, and action, which led to increased scenes of sadomasochism and gay rape in his fiction and greater vanity in his life. On a hardcore workout regimen, he began posing nude for gay photographers and acting in movies. Highlights of his prolific output are The Sound of Waves, a hetero love story so popular it's been filmed five times; The Temple of the Golden Pavilion; The Sailor Who Fell from Grace with the Sea; and his Sea of Fertility tetralogy beginning with Spring Snow. In 1998 Jiro Fukushima published a book about his affair with Mishima and Mishima's son and daughter successfully sued him for invasion of privacy and copyright violation for quoting their father's letters to him.

Avoiding sports as a child, Cecil Beaton learned photography from his nanny on her Kodak 3A, and avoiding academics at Cambridge, which he left without a degree in 1925, he took his first published photo, printed in Vogue, of one of England's leading Shakespearean scholars in drag: To be exact, George "Dadie" Rylands, a Cambridge Fellow for 72 years, was costumed as the Duchess of Malfi. From there Beaton had to go work for his father's timber company, which he suffered for eight miserable days. After that he returned to his rightful place in the world of design, creating book jackets and studying photography until Vogue hired him fulltime in 1927. Although his style is flowery and theatrical, many of his most enduring images are serious people captured at critical times: a tense Churchill in 1940, Queen Elizabeth II's coronation portrait, the Duke and Duchess of Windsor's wedding portrait. During the war, he volunteered and was posted to the Ministry of Information, capturing images of the Blitz, its young injured on the cover of Life, and RAF pilots in their cockpit.

Versatile in his talents, Beaton also designed the lighting, sets, and costumes for many Broadway musicals, winning four Tony Awards, and for several Hollywood extravaganzas, winning the Oscar for best costumes twice, for Gigi and most famously for his high camp creations in My Fair Lady. Although he never consummated his long unrequited love for Peter Watson, a gay art collector whose interests lay elsewhere, Beaton did enjoy possibly the greatest consolation prize of the twentieth century, an affair with Gary Cooper. For his entire life, he kept his childhood diary in which he first realized he was a "terrible, terrible homosexualist" and that shame never fully disappeared, driving him to a few misguided affairs with women later in his life, including one with Greta Garbo, who dumped him and went back to women. When he was seventy he suffered a major stroke that left him partially paralyzed, and though he adapted to drawing and photographing with his left hand, he never recovered his earlier ease. He died six years later, in 1980.

Click here, to re-read Sandy Leonard's immortal Beaton/Coral Browne memory.

Comments

[Richard Kramer]

Beaton's diaries, especially the unexpurgated ones, are a joy. Particularly entertaining is his
description of doing Katharine Hepburn's costumes for COCO. They hated each other. Beaton
would design his own version of a perfect Chanel suit, and Hepburn would go home and, with her
long-time spinster assistant Phyllis, rip it up so "it would be more right for Kate". And she
insisted on keeping the theatre at freezing temperatures, because it was "better for her process".
Beaton was a great artist who found a productive way to live in his own dream of the past.